Any amount is greatly appreciated and keeps the free transcription videos and content flowing! If you find these transcriptions useful, please consider supporting me by purchasing any of the PDFs on my Store page, books I have completed with Vincent Herring/Eric Alexander, Chad Lefkowitz-Brown, Sam Dillon/Andrew Gould, and Mike Tucker, or through the donate button below. Please visit my Store page for more information. The second section of the PDF includes 33 example phrases over various ii-V-I chord progressions to illustrate how you can combine the shapes to create your own jazz lines and phrases. I have compiled these shapes into my PDF release, Common Jazz Shapes and Phrases. This PDF includes 155 shapes that can be applied to common jazz progressions to create your own jazz vocabulary and phrases. While I have been completing all of these transcriptions, I have also been keeping a separate document of shapes/licks over different chord qualities (min7, maj7, dom7, altered dominant, dom7b9, m7b5) that I come across often. I hope they will be of use in your practicing sessions - remember, aim to use these transcriptions to check your own work rather than simply reading off of them! You will get much more out of transcribing a solo by ear first and memorizing it rather than reading it off of an already completed transcription. My goal for these transcriptions is to assist musicians with their practicing and help spread the word about all of these excellent artists. These transcriptions are intended solely for educational use and is not to be sold/posted elsewhere online. You will find transcriptions of solos by Cannonball Adderley, Vincent Herring, Kenny Garrett, Sonny Stitt, Antonio Hart, Michael Brecker, Jackie McLean, Eddie Harris, Joe Henderson, John Coltrane, Wayne Shorter, and Hank Mobley, amongst many others (If you are looking for my Chad LB, Vincent Herring/Eric Alexander, Sam Dillon, Andrew Gould or Mike Tucker transcription books, click here). Below are free solo transcriptions I have completed to aid in my development as a musician.
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